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Ok, so I guess I'm a lousy salesman because I can't get into lots of glorious phrases here for how nice it is to have my old QUICK computer back. When I first got my XP computer it was so fast that I told my best friend, "This thing is so powerful I don't know why I'd ever have to upgrade to a more powerful computer."

Then the time factor kicked in. The more time I spent actually using my computer the slower - true, it was little by little but still... - the slower it got.

Took forever to start up. Programs took two or three times longer to load up. Jobs took me longer and longer to complete.

I Wanted My Fast Computer Back and I Got It!

It was really a drag. A drag on my time and a drag on my fun using the computer.

Anyway, for $9.97 - yeah, only Ten Bucks - this guy gives me over twenty pages of instructions on how to clean up the Microsoft Mess that became my computer. Easy stuff. I'm no computer geek but even I could follow his instructions. Some of the stuff I knew but had forgotten. Other stuff was just plain news to me. Even free software I could use to clean up my computer. Oh, and he's not selling addtional stuff there. It's just information.

Anyhow, if your computer sometimes bugs you because it's getting slower or you just want to do some preventive maintenance to keep it fast, I'd say check out this guys help now. Just click here for more information. (It's not a buy button, it's just information.)

 

by David Peters

To build an apocalypse scene start with: First stage of project is to find and refine source photos of destruction references connected with our subject … search key word is destroyed, rubble, bombed and etc. you can find very nice pics for free, just look around! Now we select finded materials and search useful areas of destrucion on photos and composite it with our source. But first we must correct the perspective with standard transform tools in Photoshop like scale, rotate, skew and etc. Next step is to do a ground from green grass. This process its very easy to do, i use some changes in Hue and Saturation value and sharpness of image to expose mud. As you know in Net you can find very nice pics for free and composite them in to our image like this hole. Sometimes image not have only one element to composite, like this below shows the birds and clouds. In this case I use clouds to make smoke from factory shaft. This is the end stage of project with glass shattered window frame. Final Photoshop compositing have 32 different layers with various blending types. Almost whole work is done in Photoshop except, color correction and sun lens effect which I create in Eyeon Digital Fusion a full-featured, node-based compositing system with Knoll Light Factory plugin.

Touching up photos is fun and easy, follow these simple steps to learn how to make a black and white photo. Start by choosing the photo you want to convert to Black and White, any size, background or quality is cool. Go to Image - Adjustments - Black and White. Ok, now this menu will show up, you’ll have to change all the values depending on your photo’s color. Take your time to make the best contrast possible. The following settings are just an example. Now that you have finished with the Black and White, we’re going to make some manual shadows and highlights to make the photo more stunning. Grab the Burn tool. Set the master Diameter Settings depending on your photo’s size. Now make some exaggerated shadows. We made this to make like a visual impact. Now, grab the Dodge Tool. (you can find the dodge tool making right click in the Burn Tool) Make some highlights (of course, in the parts you didn’t make shadows) Finally, the last touch.Go to Filter - Sharpen - Unsharp Mask. And put just a little bit of sharp, enough to make the image a little stronger. And its done! Your stunning Professional Black And White Photo in Photoshop CS3 is finished.

Gradient maps can help your coloring on Photo manipulations a lot. They can be used to help blend things in and to make the colors in things the same. So you should have the same picture from the section Textures open. Okay now looking at you textures picture. You might think. My textures dont really blend in well with my face. So I am going to show you how to blend those in better using gradient maps. So I want you to decide what you want your face to look like (mainly color wise). So to make my textures blend in more I start off by going to Image> Adjustments> Gradient Map. Since I want a green picture I am going to pick a green/yellow gradient map. Then I am going to set it on soft light. After I put the opacity down a bit. Then I added a black and white gradient map. I did this because I wanted to make the picture a bit darker. I left the black and white gradient map on normal and set it on around 50% opacity. It will get rid of a bit of the color but thats what the green and yellow gradient maps were for (they were to add color so it didnt look really bland when we added the black and white one). Here is my picture after adding gradient maps.

There is only two things you have too know about the ExtendScript Toolkit program right now: Select target application, ExtendScript must know which application you are writing the script for. In the top left dropdown menu select Adobe Photoshop CS2 and if asked if you want top start it choose yes. Running script, to run a script you have written you press the button that looks like a play button. Reference documentsAll objects have different properties that can be set and methods that can be executed and right now you probably don’t know any of these, this is where the reference documents come in. The reference document for JavaScript contains information about all objects available in your scripts.

Start with a blank photoshop document of size 1024*768 and white background. Choose the brush “rough round bristle” from the toolbar. Create a new layer and draw some lines. Right click on the new layer and choose “blending options”. Choose the values. DROP SHADOW INNER GLOW BEVEL AND EMBOSS; For “texture”, choose “satin” as the pattern. TEXTURE Now add some motion blur to this layer from filters > blur > motion blur. Similarly, add gaussian blur also to this layer with the radius around 72. Not so catchy yet. Well try this. Change the background color of the default layer as black by choosing Edit > Fill from menu. Now look at the output. Ahh, that looks much better, isn’t it ? You can add some text to this texturized background if you wish.

This section describes how to use some of the basic tools that you will need to use in the tutorials. This section in particular will be added to over time.The airbrush is the favourite tool of most digital artists. The tool options (just below the drop down menus) can be altered very subtly to achieve a range of effects - this is the most creative aspect of many of these tutorials. The tool shape selection menu at the left of the tool bar can alter the brush’s shape - soft to hard edges, as well as special shapes such as blades of grass. The size can also be altered with obvious effects. The layer style for the brush can be altered - for more information see the section on blending layers elsewhere in the tutorial. The opacity slider will affect the opacity of the paint that is applied. The flow slider effects the speed at which the paint is applied.

For those interested in coloring graphically upon the computer, painting, pastels, colored pencils, markers, and any other coloring tool, skin tones are necessary part of human color. The worl is full of variety in color, including the human skin. I look around, and I see many people getting the skin colors wrong. It can be too yelow, too pink, or just not the right color. Getting a realistic skin tone can be a really tricky business, but, there is an easy solution to this delimma. I created this tutorial for Photoshop on Photoshop 7. I’m not sure what else will be compatible before Photoshop 7, or other products, but I would think that the steps would be similar. For some quick skin tones, you can grab a tones chart like the basic one I made on left, to use for coloring. Now, on the tones chart to my left, I have the tones for three nationalities- Caucasian, Asian, and African — which I’ve personally seen the most often in the art that I see at various art sites. These are approximate, no set exact for what the colors are. Also take into regard that these are around the extremes. The lightest lights, the midtone, and the darkest dark.

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